It's certainly not a Best Picture contender, no matter how hard Cooper and Netflix try to push it. It's merely okay, which is pretty much the state of Bradley Cooper's directorial career.
It's certainly not a Best Picture contender, no matter how hard Cooper and Netflix try to push it. It's merely okay, which is pretty much the state of Bradley Cooper's directorial career.
For a boring subject like table tennis, Josh Safdie turns the material into a nonstop thrill ride where you'll mostly forget about the movie's monster 2.5-hour length
Wake Up Dead Man: A Knives Out Mystery does everything a murder mystery should do. Secondly, the Knives Out films does everything right that The Last Jedi got wrong.
For a common fool like myself, unable to even comprehend most of Shakespeare's old English, Hamnet profoundly makes you understand his work.
There's nothing more wicked than tampering with the source material.
Maybe we should worship doctors and teachers more than movie stars. Sadly, we don't live in a culture like that.
The Running Man sprints towards mediocrity.
Thanks to a loveable performance from Elle Fanning, an awesome lead character, and a tribalistic score that slaps, Predator: Badlands is a hunt worth taking.
With a little more work in the editing room and motivation other than greed from Tessa Thompson, Hedda could be even more notable than it already is.
The movie had the potential to end beautifully. Still, it just had to have a predictable final scene, which might make you wonder when it will be available on streaming, saving you from spending a lot of money on a movie ticket.
Bugonia was just an inch away from being one of the year's best pictures. And then the ending happened.
Amidst a sea of abysmal adaptations, Guillermo del Toro's depiction of Mary Shelley's Frankenstein is miles better than the competition. Still, that doesn't prevent it from being a little lifeless at times.
During a time of great division, Good Fortune thrives for unity.
This film has changed my mind about Rose Byrne as an actress.
There's a certain gloss to the picture that feels artificial.
It might be through conventional means with a standard look and premise, yet there's something much deeper and more honest with Roofman than your typical romcom.
The whole draw to Tron is the grid, and they almost completely abandon it?
Some of that subtlety gets lost in a picture that lingers on for too long in its brutality and wraps up too quickly with its cheesy finale.
Despite some of the picture's failed intentions, much of it also works.
For a film about emotional immaturity, the film is emotionally immature in and of itself.