Although deep, the movie feels almost like it could put you to sleep with all of its scenes of Robin napping off. See the movie for Robin Hood, stay for what he does to Margaret.
Although deep, the movie feels almost like it could put you to sleep with all of its scenes of Robin napping off. See the movie for Robin Hood, stay for what he does to Margaret.
Kenji Tanigaki and his writing team aren’t just making another Taken, where the human-trafficking scum are put in their place. He’s making a call to action.
Disclosure Day is an impressive feat of old Hollywood storytelling that we don’t get often today.
Where most might find a compelling toxic romance between two victims of capitalism, Carolina Caroline’s stale cardboard-cutout characters made this heist not worth taking.
If you haven’t grown up with He-Man, it’s difficult for children to get invested in a movie that Thor beat the punch to.
The real horror in Backrooms isn’t the creepy, deformed faces or empty spaces; it’s the thought that we’re like Clark.
The film is formulaic, but it’s far more engaging than a forgettable film like Greyhound.
It’s been eight years since we’ve had a theatrical Star Wars film, and there’s a feeling in the force that the audience just doesn’t care anymore.
Let’s address the elephant in the room. The accents in this movie are atrocious.
Stretching Frank Castle’s story into an entire television series is overkill, whereas The Punisher: One Last Kill is the type of short and sweet Punisher story that delivers on everything the character is iconic for, and a little more.
If you’ve been playing them since you were a kid, this might be the best attempt at adapting a mindless fighting game since 1995, which is really not saying a lot. But at least it’s something.
Some of the best movies are the ones that leave room for an interpretive ending. It’s up to the viewer to become a storyteller rather than just merely a consumer.
The Sheep Detectives has Paddington levels of charm that will make you glee with joy.
Mother Mary is almost a religious experience in the craftsmanship of the work.
There are biopics, and then there’s propoganda.
Writer/Director Kirk Jones might be one of the first filmmakers to take a serious dive at what it’s like to live with Tourette’s Syndrome.
When the movie goes hard, it’s worth checking out on a big screen, not your flat-screen with daylight glaring through it.
There are many documentaries about what happens behind the scenes at Saturday Night Live, and this one is not anymore eye opening than the others. However, it might be the best.
Any depth or backstory into either of the leading characters takes a backseat for a middle act that’s simply filler.
Despite all the shiny colors, this film is missing a soul that could potentially let itself out.