Underneath One Battle After Another's audacity is a movie about the dangers of revolution, yet there are glimmers of hope.
Underneath One Battle After Another's audacity is a movie about the dangers of revolution, yet there are glimmers of hope.
Spinal Tap II: The End Continues isn't necessarily a great sequel, but a fairly decent one.
The Long Walk is not based on current-day events. But that doesn't stop history from repeating itself.
The Conjuring: Last Rites may not particularly stand out, especially within a horror genre that has been improving with each passing year. That still doesn't exclude the fact that the movie accomplishes its job of entertaining an audience. Sometimes, that's all you can really ask for. But is it enough?
Aronofsky's keen eye, handling of structure, and Austin Butler's awesome lead performance make what could have been a forgettable thriller memorable.
Although we know from the source material where the Roses will end up, Jay Roach still attempts to create an unexpected comedy filled with high- and low-brow humor.
Eenie Meanie is one of those streaming platform movies that will likely not be remembered ten years from now, let alone on the day it is released. It's not a bad film, just a really mediocre one
Even with a confusing plot and far too much action that could have saved the movie a good 20 minutes if cut, China shows America how you can actually make an animated film.
Everything from the structure to the combat seems rushed through the door in a hastily made sequel that deserves to stay on vacation and out of theaters.
Spike takes a classic movie from across the globe and adapts it into a film that distinctly feels like a Spike Lee Joint. Which, Spike, I respect you, but can you please call it a Spike Lee film?
If you've ever felt conscious about your nerdy hobbies, then this is a good place to go where you don't have to be.
Cregger plays with the camera, utilizing slow-moving zoom lenses, akin to those found in 1970s horror films, and other strategies that create a clumsy yet memorable picture.
When the action ramps up, there's not much to show off. It's your typical underwhelming car chases and explosions that don't need to be seen on the big screen.
The Bad Guys 2 is fun, creative, and a little redundant, but overall, it avoids the cliches of most animated films.
Whatever nuance the film has is thrown out the window in a big climax that has the production value of a low-budget film.
Through clever dialog and gut-busting sight gags, The Naked Gun is here to stay.
Happy Gilmore 2 relies heavily on past jokes to compensate for a lack of a solid script, offering occasional laughs.
Despite some predictable conventionality, The Fantastic Four: First Steps is a step in the right direction
There's a difference between a fun bad movie and a boring bad movie. I Know What You Did Last Summer tries hard to be enjoyable by inserting some of the lamest humor imaginable, written by people who think they're being clever.
Eddington is a fantastic film that carries some noticeable flaws. This movie could have ended thirty minutes earlier and been just as effective. Yet its third act goes on like a never-ending train to crazy town. One that you'll never forget.