The press kit for the film says that director Mike Cheslik didn't write a script. That flaw shows, even though the movie is technically marvelous.
The press kit for the film says that director Mike Cheslik didn't write a script. That flaw shows, even though the movie is technically marvelous.
A Real Pain is a real joy of a comedy that may be a little too sweet.
Ridley Scott has tampered with Alien, won creatively big thanks to Denis Villeneuve directing Blade Runner 2049 instead of him, and has now released one of the most disappointing sequels I've seen in years. I guess that's some sort of accomplishment.
How is McQueen's return to the big screen? Disappointingly average.
How do you make a film about Religion without offending anyone? You can't, but Heretic might be a safe way to go about it.
Is this one worth checking out? It depends. Do you like film scores and want to educate yourself on Hollywood's most prolific composer? Then this might be your movie. If you're not a score buff, unlike me, you'd probably get bored by this one. For my money, it did the job to inform and entertain, but nothing more.
Zemekis' latest outing, Here, is one of the most forgettable snooze-worthy films I've seen this year.
Director Tim Fehlbaum could have taken some notes from Steven Spielberg. The man made The Post and Munich. Both films succeed in different ways in which this movie failed.
What starts as a slow burn has an explosive third act that will shock you.
We Live in Time is a beautiful reminder of how life is precious. To let it go to waste would be a terrible misfortune. Get your Kleenex ready for this tear-jerker.
Piece by Piece is a movie more about the music than it is about the people behind the music. It's superficial storytelling made to inspire when, in reality, it bored me to exhaustion.
There are films about bad people who were never decent that can lead as an example in how to make a Trump movie. Films like There Will Be Blood paint a complicated portrait of a hateful man who wants to love his son but won't allow himself to. Only focussing on money. Give me something more like that!
Belittling the audience for liking something popular is counterproductive, lazy, cynical storytelling that should be canned before shot.
The Outrun comes across as a run-of-the-mill tale of addiction with a rushed, abrupt ending on recovery.
Saturday Night is an exciting, outrageous look at the dysfunctional world of entertainment.
Megalopolis is audacious. It takes big swings but strikes out.
It's wonderful how this film doesn't define its characters by their appearance. A Different Man treats its subjects more than just victims. They're people with real flaws. Where we once felt bad for Edward, we're now conflicted with him.
I rarely get inspired. But this movie did the trick.
It's not shocking or objectifying for the sake of getting a rise out of the audience. It's all meant to convey the inevitability of aging.
Finally, a Transformers movie that gets it right.