With a flat cast, the film also lacks any style.
With a flat cast, the film also lacks any style.
Admittedly, its themes resonate. If only they could have resonated a little earlier.
For both good and bad reasons, Alien Romulus is an extremely basic Alien flick that isn't any different from any other Alien movie.
Victor Erice's Close Your Eyes is a meditative exercise in the power of cinema and the meaning of our lives.
It Ends with Us is a delicate film that plays things too safe for it to be anything different from another run-of-the-mill romantic film.
The Instigators is one of Doug Liman's best films in years. It’s mixture of excitement and humor makes for an exceptional thriller.
Humorous and intense. Kneecap is an eye-opening, visceral film that will demand your attention from beginning to end.
Deadpool & Wolverine might be the most gory and vile Deadpool film to date. And God bless it for it.
Ti West should be very proud; he's made a solid horror movie trilogy. MaXXXine may not be as good as Pearl, but it does tie with X. It stands on its own without needing to see the other two films for context.
Think of the movie as Locke but without the suspense. Daddio isn't meant to be suspenseful as much as it's meant to be meaningful.
Kinds of Kindness is a comedy that overstays its welcome.
Annie Baker's stunning debut is a thorough, empathetic examination of the flaws we have.
The film gets so wrapped up in its bouts that it forgets to focus on what makes its characters tick.
Even with a generic look and cliche plot, Ultraman: Rising has enough depth to it to warrant a meaningful Netlflix chill and watch with the family.
Is Inside Out 2 better than Insider Out? No, but it does a good job standing on its own.
The Watchers feels like a mix of M. Night's The Village and Alex Garland's Annihilation. The spooks aren't very scary, and the end revelation is more predictable than profound or existential.
Director Christopher Burke presents a solution to a major problem.
In a Violent Nature is a horror film that rearranges the slasher’s conventions and produces some of the most spectacular kills I have seen this year.
Furiosa: A Mad Max Saga may be second to Fury Road, but it's a silver trophy that should be worn proudly.
The filmmakers come to this film with good intentions. It's just we've all seen the story about the artist who gets tied up in booze and drugs before. It's nothing different from a standard biopic