I gave this show a chance. I hung in for all three seasons and have regretted it all three times.
I gave this show a chance. I hung in for all three seasons and have regretted it all three times.
The filmmakers could take note from Godzilla: Minus One in how to make a monster film be more than just another monster movie.
If you're a die-hard Ghostbusters fan who loved Ghostbusters: Afterlife, then you'll probably love this film. If you like the original film but are not a fan of the sequels, Ghostbusters: Frozen Empire will do little to win you over.
LNWTD also shows how desperate people are for entertainment.
It's a confident drama that plays at a slow pace, leading to a stupendous ending.
Aside from a disappointing ending, Love Lies Bleeding has enough potency in its character's chemistry to keep it as an enjoyable view.
Is the film a kung fu master? No. But it gets the job done by entertaining kids and adults alike without being shallow.
Funny, energetic, with a slice of pretentiousness, Problemista is a unique take on immigration that isn't preachy or repetitious.
More Farley brothers than Cohen Brothers, Drive-Away Dolls is a comedy from Ethan Coen where Joel's not involved with the film. And for good reason
If Villeneuve can perform that hat trick, he'll be making one of modern cinema's greatest blockbuster trilogies.
It's a film where you don't want it to end. But it does so abruptly. It leaves much open for interpretation and will have you discussing what happens after the ending with your friends.
I hardly say this, but Bob Marley: One Love could have benefitted from a longer length. If each plot point were focussed a little more and for a little longer, then the narrative wouldn't be as jumbled.
What works in the beginning falls apart in the end.
Writer/Director Pawo Choyning Dorji examines the complexities of a democratic system while uplifting the audience
Argyll's action is impressive to mediocre, with a plot that's more formulaic than creative.
Writer/Director Lila Avilés makes a movie based on memories. Every moment is held with a tedious restraint to make you soak in the occasion
Saying f***k isn't enough to go on making a hilarious film. Let alone a commercial for its star that doesn't carry the heart of a narrative champion.
Robot Dreams examines complex themes with a resonance that exceeds beyond words.
For all its efforts, Origin is a dry look into America's placement of its citizens, weaving plot threads together in a messy narrative that does little to enthrall.
The Beekeeper is filled with enough blood, broken glass, and explosions to make an action buff giddy. If only it had more insight into its protagonist instead of being intentionally vague, could the movie be more memorable than forgettable.