Through cinematic elegance, Keshavarz molds a highly effective story about family generations facing adversity but coming out on top and respecting each other for who they are.
Through cinematic elegance, Keshavarz molds a highly effective story about family generations facing adversity but coming out on top and respecting each other for who they are.
No matter where you stand on the political spectrum, the pain the Reels experience is very relatable. That's the power film can have
Unfortunately, for a cold-hearted demon like me, I had trouble empathizing with John Chau.
Director Raven Jackson comes through with an effective feature debut in a film about life, loss, nature, and family that spans multiple decades.
In Dream Scenario. Kristoffer Borgli writes and directs something of a modern version of Being John Malkovich, where the appearance of one man becomes a sensation and a victim of cancel culture.
Killers of the Flower Moon is a detailed covered film that will make you want to rewind its gigantic reel to see what plot points you missed the first time around.
Sisterhood is a complex, examination of modern-day culture that doesn't say anything new. Rather it takes its structure from the fallout of an online posting.
If The Mission were cut down to a short film, it would have been far more effective.
Two knockout films are playing at the Chicago International Film Festival. Silver Dollar Road premieres on October 13 and The Persian Version on October 17.
The Road Dance is a powerful movie that can be a bit too theatrical from time to time. But certainly not often enough to hinder the impact it leaves.
Where the stakes are high, my interest is moderate to low for Loki season two.
Mixing the heart of Steven Spielberg's A.I. Artificial Intelligence with the action of Neill Blomkamp's District 9, Gareth Edwards brings us The Creator, a film that has a lot going for it but falls short.
Fair Play is a nail-biting social commentary that doesn't lose its edge until the screen cuts to black.
By no means will you experience the film the same way with a large 4K screen in a home theater. You'll think you may have had the same experience, but you'll be robbed of the vast technical mastery you'll get on a 4K digital Imax projection.
Structurally sloppy but emotionally hilarious, Dumb Money is an interesting narrative similar to other films about the market, like The Big Short and Blackberry.
My Big Fat Greek Wedding 3 is like seeing a familiar relative. You enjoy their company and quirks for all they have.
Fremont is not searing, nor is it forgettable. It rests somewhere in between cinematic artistry and familiar Indie film conventions.
Once we get over the fact that the dogs drop the F-bomb constantly, there's not much for Strays to go on.
For a Dracula film, The Last Voyage of the Demeter is a clever take on a beloved horror novel. But is it clever enough to warrant a feature film?
There's enough substance and heart to make GT work as a story, if only a decent one.