Once we get over the fact that the dogs drop the F-bomb constantly, there's not much for Strays to go on.
Once we get over the fact that the dogs drop the F-bomb constantly, there's not much for Strays to go on.
For a Dracula film, The Last Voyage of the Demeter is a clever take on a beloved horror novel. But is it clever enough to warrant a feature film?
There's enough substance and heart to make GT work as a story, if only a decent one.
Oppenheimer is a master class in film editing and structural design where even at a long three hours, the film feels brisk as it demands your attention.
Your mission, if you choose to accept it, is to follow Mission: Impossible – Dead Reckoning Part One's plot without getting lost in its constant exposition.
Underneath all its zany antics Joy Ride is a comedy about friendship that's heavy-handed in its sappy final moments.
No Hard Feelings is a film with a premise that belongs to another era.
If there's a moral to this review, it's to not listen to George Lucas and leave a character's legacy in a museum.
A humourous but familiar comedy that isn't as clever as it lets out to be.
Despite its original ideas, the film's familiarity hinders its overall quality.
Perfectly entertaining yet mediocre. The Flash is an enjoyable movie that relies on cameos over nuanced emotions.
As soon as the picture roared to its credits, I wanted more.
The Boogeyman is a perfectly competent horror film that offers the usual generic jump scares with a flash of psychological terror.
About My Father is a misuse of talent and comedy
The Little Mermaid rises to the surface with enough talent in front of the camera to prove why its music is timeless.
Big, loud, and stupid, Fast X is the definition of turning your brain off when going to the movies.
Blue Jean is an effective albeit forgettable character piece on sexual identity.
Quirky and energetic, Theater Camp is an absolute blast with consistent laughs
Past Lives is a loving, sensible portrayal of lost love, time, and how we move on with our lives
Haunting and captivating, Laura Moss' Birth/Rebirth is a modern-day Frankenstein tale