Deep Water can keep its ship in the era it's from.
Deep Water can keep its ship in the era it's from.
Is 2022's iteration of the masked vigilante indeed The best Batman? No, But it's a damn good one.
Filmmakers Channing Tatum and Reid Carolin wear their hearts on their chest in one of my favorite animal movies in a long time.
The Cursed is a monster movie that feels nothing like one.
Uncharted is sellable but not executable for a film with the interactivity removed.
We've come full circle to franchise cannabilism with legacy characters passing the knife to a new generation.
Joel Cohen is making a love letter to Shakespeare that's beautifully told but requires patience from its audience.
American Underdog is as memorable as a can of Coca-Cola from a glass bottle. It's delicious and disposable. For this review, you'll probably not agree with me.
Amidst its perversions, there’s a beating heart in Sean Baker’s newest film.
Don't Look Up might be triggering for many with its political shots fired, and I wouldn't have it any other way.
Paul Verhoeven isn't a man who plays subtle at the ripe age of 84, and God bless him for it.
Encanto's usage of three directors' imaginations creates a universality in Mirabel, rendering her potentially as ubiquitous as Cinderella.
Home Sweet Home Alone is another Christmas flick that'll be placed alongside Grandma's bunt cake.
The Power of The Dog is worth seeing twice to catch all its metaphors which can be a topic of discussion far after the credits roll.
Movies of this level of compassion come only once a year, and here's one of them.
there's enough pazazz in its pacing and style to make Last Night in Soho a night worth spending in the theater.
Chloé Zhao’s glowing eye for capturing beautiful scenery can’t save the rest of Eternals lack of providing anything different in the MCU.
20th Century Studios Animation needs an upgrade.